University of California —Santa Barbara, B.
Reflections on this and that What follows is a paper I produced on that book for this class. Although he had been apolitical, his wife had been a journalist, writing articles about the abuses and terror tactics of the government.
As William Cavanaugh, in his book Torture and Eucharist: In response to their signs with names and pictures of disappeared loved ones, Carlos makes a sign of his own: Friends and strangers alike come in ever-greater numbers as their loved ones continue to be disappeared, desperate for some bit of information, whether of hope that their loved ones will escape, or of the minimal but real consolation of at least knowing that they are dead, as opposed to the unknowing that gives way to despair.
Carlos repeatedly sees in his imagination what is happening to his wife and daughter who is also taken in the wake of the performance of Namesincluding seeing them being tortured, raped, and, in the case of Teresa, eventually murdered.
Benn recounts his heartache each time Carlos asks an acquaintance to tell him about what happened to Cecilia, and later Teresa, partially because of the pain it causes Carlos to see with his imaginative gift what they are suffering, but more because he wishes that Carlos would simply accept reality, namely that they are dead.
No such person ever existed to have been taken, tortured, killed. Such was the same logic of the Madres: Nevertheless, such testimony retains at best an elusive hold on truth. They can only see the conflict in terms of fantasy versus reality.
Carlos, on the other hand, rightly grasps that the contest is not between imagination and the real, but between two types of imagination, that of the generals and that of their opponents. But as I was thinking about letting myself go I understood that Cecilia would drown too, that she lived only because I remained to know she lived.
The scenes in this book that were most horrible to me as the reader were those in which Carlos is forced to see the repeated torture and rape of his wife and his daughter, to know his powerlessness to stop it and the feelings that would accompany such a reality.
Is his use of his imaginative gift the appropriate response? After months or years of captivity and abuse, how damaged is her psyche? Can she live her life without being consumed by the enormity of trauma she endured?
When we demonize our enemies, calling them names and identifying then with absolute evil, we deny that they have that of God within them that makes transformation possible.
In that vein, psychologist Jordan Peterson talks about a fellow therapist who works with women who have suffered horrific trauma: Those women who were able to most fully enter in their imaginations into their experiences of trauma, who felt the pain and indignation most completely, got better faster and stayed better longer.
How, then, does this book and its model of imagination and hope speak to the task of peacemaking? In one way, it clarifies just how painful and tenuous a task peacemaking is: Certainly it was atrocious, we say, but it can almost seem to be a mathematical formula: There is no such formula here: Those soldiers remain contemptuous, unharmed by guilt, to the very end, while the mother survives but faces a lifetime of trauma, guilt, and terror.
On the other hand, however, the story reinforces the urgency of hope: This is an awful hope, one that must say that, while everything may well not work out for me, that I may suffer to death, or worse, be left alive to suffer under decades of pain and trauma, hope is still authorized, is in fact essential, for a bigger picture than my own small life.
Similarly, the book points to the need to continually rehumanize those whom oppressors would rather see dehumanized to justify their violence or made invisible to deny their violence ever happenedand the place of the media in fostering the illusion or piercing it with truth.
Much of the furor in the book was over the silencing of dissent, often in the form of mass media and artistic expression: Works Cited Brueggemann, Walter. Theology of the Old Testament:Download-Theses Mercredi 10 juin The Great Indian Middle Class, Pavan K.
Varma A Soldier Unafraid - Letters from the Trenches on the Alsatian Front (), Andre Cornet-Auquier, Theodore Stanton X A Study in the Sources of the Messeniaca of Pausanias (), Hermann Louis Ebeling Investment Forecasts for .
ADAPTATIONS: Imagining Argentina was adapted as a film, starring Antonio Bandera and Emma Thompson, written and directed by Christopher Hampton, Myriad Pictures, SIDELIGHTS: In his award-winning first novel, Imagining Argentina, Lawrence Thornton depicts the horrors of political repression in Argentina between and May 19, · My old professor Walter Brueggemann, in his book The Prophetic Imagination, mentions in passing a book by Lawrence Thornton, Imagining Argentina.
On a whim, I finally picked it up at the library, more than 5 years after I first studied under Brueggemann, and have been fascinated by Thornton’s quasi-mystical theme as well as Argentina’s “Guerra sucia,” which is the setting for the book.
Lawrence Thornton, the author, has a brilliant voice and a fantastic way of expressing his thoughts. Not only were there awesome uses of symbolism in this novel, . Thornton's telling of the story is as gripping as the tale itself. The evening meetings in Carlos' garden take on a surreal tone and in scenes which require the leap into the suspension of disbelief, Carlos' quiet narrator reveals the imagined tales.